Musical journey – Richmond Mens Chorus Fri, 14 Jan 2022 14:49:14 +0000 en-US hourly 1 Musical journey – Richmond Mens Chorus 32 32 MIN VÄN FASCISTEN/MY FRIEND THE FASCIST THE MUSICAL comes to the Playhouse Teater Fri, 14 Jan 2022 14:49:14 +0000

The musical My Friend the Fascist will visit Playhouse in Stockholm

It has rhythm, the schnapps flows and lots of laughs. The set doesn’t speak a line but takes you singing through a musical journey like verse, rock and roll, reggae and bossa nova in this fun and mind-blowing musical theater.

It’s a darkly humorous musical that challenges audiences’ prejudices in an astonishing way.

The children of Astrid Lindgrens Bullerbyn, the image of a safe Sweden, grew into middle-class, middle-aged Swedes. Olle, Anna, Lisa, Britta, Bosse and Lasse represent Sweden today. Unfortunately, Kerstin cannot join the play because she is in a nursing home.

They get together for the annual crayfish party. Nowadays, their differing opinions on Sweden mixed with their personal shortcomings and injustices lead to open conflicts. Suddenly, an uninvited guest appears and forces them to formulate their opinions on life and politics.

It’s a contemporary show!

Come laugh!

Come and think!

Come take a stand!

To throw
Ruben Sallamander
Frida Bergh
Therese Andersson Lewis
Niklas Lojmark tennis player
Anders Butta Borjesson
Asa Berg
Teodor Wennö
John Mork
Tobias Johansson
Carl-Emil Svensson
Jonathan Lindh

Erika Carlborg – scenography & costumes
Gunilla Bratt – mask and costume
Martin Johansson – producer
Jenny Björk – producer, marketing
Hedvig Carlborg – assistant scenographer
Björn Sundling – sound
Jessica Welander – poster image

The musical will run from December 30, 2021 to January 4, 2022.

Tickets are on sale at:
Bo Sandberg – photo
Artistian STHLM collective production

Theatrical Pop Star Your Majesty Oriana Releases Single and Music Video for “Born to Ride” on January 13, 2022 Wed, 12 Jan 2022 18:56:00 +0000

LOS ANGELES, January 12, 2022 / PRNewswire / – Recording Artist, Actor and Artist, Tyler stafford, a.k.a Your Majesty Oriana is about to release his latest single and his latest music video for “Born to Ride” on January 13.

Known for bringing a dramatic theatrical touch to pop music and modern performances, Oriana’s musical debut was with their 2019 dance-pop EP, QUEEN. Following QUEENThe successful Your Majesty Oriana is set to release its first film with the music video for its latest single, “Born to Ride”.

As a mesh of electronic dance rhythms, pulsating synths, and other lyrics from the world accompanied the songs on QUEEN, “Born to Ride” presents a deeper approach that draws on Oriana’s experiences as a non-binary queer person navigating through life Los Angeles. “Born to Ride” takes listeners on a journey of self-discovery in the world and personal awakening of Oriana.

Beginning with soft piano music, “Born to Ride” features simple acoustic hooks, masterful orchestrations, and electronic lo-fi vocal modulations to deliver a beautiful, encapsulated listening experience.

The lyrics are distinctive and moving as Oriana sings: “Perhaps the scariest thing I have ever done is walk out of this front door,” which ends up making the transition and ending with “I was born. to ride, not to hide “. The message is clear ; Oriana’s goal for this record is to serve as an inspiring hymn of self-discovery for themselves and for the listener.

“It’s a reminder that the only walls around me were built by me,” says Oriana. “Just as easily as they were built, they can also be taken apart.”

The clip mimics this odyssey of self-discovery and enlightenment, as large-scale scenes of them driving in a car depict freedom, and shots of a David Bowie necklace pays homage to one of the greatest icons who revolutionized the LGBTQ / gender nonconforming community.

“‘Born to Ride’ tells the story of a queer person embracing all aspects of themselves; first caged by fear and depression, then living (life) in color,” s’ exclaims Oriana proudly.

Ultimately, the euphoric, personalized and emotional record ends with Oriana breaking free from the chains that bind them; and hope that you, the listener, will too.

“Born to Ride” will be available on all major music streaming platforms and the clip on YouTube.

IG: @yourmajesty_oriana
FB: @yourmajestyoriana

Media contact:
[email protected]

SOURCE Your Majesty Oriana

Kanye West’s Netflix documentary is now a trilogy and will be released in theaters Mon, 10 Jan 2022 22:05:00 +0000

In September, Netflix unveiled the first preview of the Kanye west documentary which premieres in February. Previously labeled as a ‘historical documentary’, we can now see what the streaming giant meant, since the scale of jeen-yuhs: a Kanye trilogy was revealed by Netflix and Iconic Events Releasing today. The project is expected to chronicle 20 years in the life and career of the world-famous rapper.

As the name makes clear, jeen-yuhs will be a three-part event, which puts its relevance in a whole new light. For a documentary that spans two decades, three separate films seem like a good fit, as West’s contribution to music and culture and his controversial character are a bit too complex for a limited time.


jeen-yuhs: a Kanye trilogy will also have a special premiere: Iconic Events Releasing has decided to debut the documentary’s first part at the Sundance Virtual Film Festival, which will take place later this month. After that, the first installment (dubbed “Act I”) of the documentary will also premiere in cinemas nationwide on February 10. Then Netflix will release jeen-yuhs: a Kanye trilogy over three weeks from February 16.

Image via Netflix

RELATED: ‘DMX: Don’t Try To Understand’ Trailer Reveals A Year In The Life Of The Late Rapper

Speaking of the decision to give Kanye’s documentary an event and theatrical release, Steve bunnell, CEO of Iconic Events Releasing said the story deserves as much attention as possible and is best experienced in a movie theater:

“For any fan or music student today, this documentary is a must-see event and should be experienced in a movie theater equipped with state-of-the-art sound systems. Through his work as a performer, producer and entrepreneur, few artists or businessmen have had a greater impact on global popular culture than Kanye West in the past twenty years. His musical genius is undeniable and undeniable – he has become a magnet for so many things that bear his influence. ‘jeen-yuhs: a trilogy of Kanye ‘ is a film that offers a rare and compelling glimpse into its world, and we are extremely happy to partner with TIME Studios to provide this special opportunity for audiences across the country to see this event.

The three parts of jeen-yuhs: a Kanye trilogy are made by filmmakers Cooodie simmons and ozah chick, who have followed Kanye’s career and musical impact over the years and produced a music video for the artist’s hit single, “Jesus Walks”. They have also made music videos for artists like Pit bull, Erykah Badu, as good as, A child from Coney Island, a feature-length documentary about the former NBA star Stephane Marbury.

Act I of jeen-yuhs: a Kanye trilogy premiered at the Sundance Film Festival during special screenings January 23-26. You can find more information on the official Sundance website. After that, act I of jeen-yuhs: a Kanye trilogy Premiered in cinemas nationwide on February 10. Finally, Netflix presents the three acts of the documentary over three weeks, from February 16.

You can watch a preview of the documentary below:

Check out the official synopsis here:

A historic documentary event presented in three acts, produced by Coodie & Chike, of TIME Studios and Creative Control, ‘jeen-yuhs: a trilogy of Kanye ‘ is an intimate and revealing portrait of Kanye West’s experience, showcasing both his training days trying to break through and his life today as a global brand and artist. The film powerfully weaves decades of never-before-seen footage from the legendary artist to delve into the challenges and triumphs of West’s career in music and fashion.

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Creation of an Arab music institute in Saudi Arabia Sat, 08 Jan 2022 21:19:52 +0000

RIYAD: Zara Rutherford, who is trying to be the youngest woman to tour the world solo, touched down at Riyadh’s King Khalid International Airport on Thursday aboard her Shark light plane.

“I am 100% honest about Saudi Arabia in terms of natural beauty. I don’t think I saw anything like this. I’m not used to the desert at all, and seeing Saudi Arabia has been really shocking and breathtaking for me, ”Rutherford told Arab News.

“The people were very nice; when I arrived here, I received a very pleasant and warm welcome, ”she said.

The 19-year-old Anglo-Belgian pilot started her mission around the world because of her passion for aviation. Rutherford wants to encourage women in the aviation industry and inspire those around the world to leap into their dreams, no matter how impossible they may seem.

“I have always liked to fly. I’m very lucky that both of my parents are pilots, so I grew up around aviation. Flying around the world for me was just the biggest adventure and my biggest dream too, ”said Rutherford.

At first, she believed that her dream of adventure was completely impossible.

“I thought it was too expensive and too complicated, so I never really thought about it realistically, then I was finishing high school and actually realized it was the perfect opportunity to do something. crazy and fly around the world, ”she said.

As all of his friends planned their freshman year in college, Rutherford gathered sponsorships and mapped his flight across the globe.

As a solo traveler, Rutherford said, it can get lonely when you have no one else sitting behind you on the plane to chat with, but it gives her plenty of time to reflect, enjoy the scenery and listen to her thoughts. favorite podcasts. .

On her trip to the Kingdom, she said, she traveled from Dubai to Bahrain and across to Riyadh.

“It was great, it was a four and a half hour flight, and it was really easy and pleasant, then from Riyadh I went straight to Tabuk,” she said.

“I liked Saudi Arabia; it is a beautiful country, most of which we fly over today. It’s amazing how different deserts can be, to see how the sand changes color from dunes to rocks, it’s beautiful, it’s very beautiful, ”she said.

Zara Rutherford, the youngest woman to fly solo in the world, landed at King Khalid International Airport in Riyadh on Thursday.

Upon arrival in Riyadh, Rutherford was greeted by an event hosted by the Saudi Aviation Club led by HRH Prince Sultan bin Salman, the General Civil Aviation Authority (GACA) and the Riyadh Airports Company.

“I met Her Royal Highness yesterday, and it was amazing. He’s also a pilot and very interested in aviation, and he told me some of his stories of flying in Saudi Arabia and around the world, ”she said.

“He’s a lot more experienced than me. It was really great to be able to talk to another pilot, and he was very welcoming and very kind, ”she said.

On her arrival in Riyadh, she was also welcomed by the Ambassador of Belgium to the Kingdom of Saudi Arabia, Her Excellency Mrs. Dominique Mineur.

“We were extremely proud to welcome young Zara Rutherford to Riyadh on her pioneering journey around the world,” the ambassador told Arab News.

She said Rutherford visited Princess Nourah Bint Abdul Rahman University to speak to female students.

“She had the opportunity to meet young Saudi students from PNU and to have an exchange with them about her incredible experience of flying around the world. She shared her passion for aviation, and we hope this will further stimulate the younger generation to develop their interest in STEM, ”she said.

During his flight from Riyadh to Tabuk, Rutherford maintained altitudes between 1,000 and 4,000 feet above the ground. She said there wasn’t much turbulence when she left after sunrise and kept a low height to take in the scenery below. Later that day, she had to increase her altitude to 4,000 due to the heat and turbulence to ensure the flight was smoother.

“I saw a lot of different things flying towards Tabuk; I saw camels. I’ve never really seen camels before so it was really exciting for me, ”she said.

Rutherford aims to inspire others to pursue their dreams, no matter how impossible or difficult it may seem.

“If you have a passion that doesn’t quite match you, say a woman who loves aviation, you stand out.

“At first as a girl I got disgusted with aviation because when you’re a girl you usually don’t want to stand out; you want to fit in with your friends, ”she said.

“At the end of the day, no matter what other people think, it’s important that you do what you want to do and what makes you happy. Don’t let others dictate what you want to do with your life, ”said Rutherford.

“With all this press I’ve had, I can encourage more girls to get into aviation. Growing up, there weren’t many other girls or women pilots, and I thought that “was a shame and it’s kinda nice to have people you can look up to. I hope to change that,” she said.

“Now I’m home in just six days, and it’s a really weird feeling because I haven’t been home for five months, so six days is pretty close,” he said. she declared.

Rutherford aims to beat two Guinness Books of World Records, for the youngest female solo pilot to tour the world and the first Belgian to do so alone.

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Washed Out finally gets to wash in Houston Fri, 07 Jan 2022 10:24:52 +0000

Ernest Greene of Washed Out performs at the 2014 Bonnaroo Music & Arts Festival on June 15, 2014 in Manchester, Tennessee.

Photo: photo by Josh Brasted / WireImage, contributor / WireImage

Ernest Greene tries to get to the heart of the matter.

Greene, who performs under his chillwave / chamber-pop name Washed Out, is back on tour, including a stop at Warehouse Live in Houston on January 13. Other than a festival in Miami a few months ago, he hasn’t done a full-fledged Show Washed Out since 2018, while on the road to promote his 2017 album, “Mister Mellow”.

He was planning on touring again in 2020, shortly after releasing his latest album “Purple Noon” – but you all know what happened with that. “Of course, COVID-19 has entered the scene, which means the record has been delayed until August [of that year]”Greene, 39, born in Georgia, said over the phone from his home in Atlanta.” And we never played a concert to support this album until this tour. “

So after 3 and a half years, Greene is finally out, hitting stages across the country and performing the music on his (somewhat) new album. For “Noon”, he approached the old label Sub Pop, which released their first two albums. (“Mellow” was released by west coast label Stones Throw.)

And although the album takes its name from the 1960 film adaptation of Patricia Highsmith’s 1955 novel “The Talented Mr. Ripley,” Greene will tell you that it was more influenced by the adaptation of “Ripley” by 1999 with Matt Damon. “You know, there’s all the suspense, sort of murder element in this plot,” he says. “But, if you take that off and just look at the pictures, it’s almost like visual stills. It’s like these incredibly romantic and incredibly luxurious settings. I was like, “OK, what would that look like and what would it look like?” and sort of went from there.

Much like the main character, Greene takes on the role of a heartbreaking bon vivant in “Noon.” (It also gives off the vibe on the album cover – standing atop a balcony ledge, overlooking the ocean – which his wife Blair filmed while on vacation in Greece.) His synth ballads -pop are reminiscent of the romantic sophistries of the new wave. – pop crooners such as Bryan Ferry, Philip Oakey (The Human League) and Tony Hadley (Spandau Ballet) used to come back in the 80s.

“They are great references,” he says. “It was something that really interested me. Like Bryan Ferry, for example, I think about those really powerful ballads, you know, that are slightly melodramatic but sound so rich. And that was really a starting point.

With the way Greene does falsetto backing vocals on the songs – vocals that make him sound like the iconic singer Sade (who was also an influence on “Noon”) – it almost seems like Greene is auditioning to produce her and her. group, the next album. “Please, if you have any contacts to suggest songs to them, that would be amazing,” he laughs.

Washed out

When: 8:30 p.m. Jan. 13

Or: Warehouse Live, 813 Saint Emanuel St.

Details: $ 25; 713-225-5483; entrepô

Until that dream comes true, he will be on this tour, doing shows with a very small band – a multi-instrumentalist and a drummer. And while he has worked to create a live show that takes place “in the safest and most careful way possible”, he hopes that every venue he performs in will always have strong COVID-19 security protocols. in place.

But whether you choose to hear it live or safely in your home, Greene says he’ll always have a musical journey ready for his listeners. “I’m kind of interested in world building and sound painting of an image for the listener,” he says. “You know, each of my records is different. And I hope if you’re in the mood to put your imagination and yourself on a French villa or a Greek villa or something like that, I think ‘Purple Noon’ may be the record for you.

Craig Lindsey is a Houston-based writer.

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Omega X returns bold and laddish with ‘Love Me Like’ Wed, 05 Jan 2022 05:33:48 +0000

Boy group Omega X poses at an online press conference Wednesday. (Arrow entertainment)

Beginner band Omega X hailed the frigid season and jumped on the January musical craze by releasing their second EP, “Love Me Like,” Wednesday afternoon, four months after their previous release.

At an online press conference Wednesday, the 11-member group described the latest effort as “an album that aims to show that Omega X is a band that could have different tunes and concepts suited to them.” The band added that their five-song package is unlike anything the band has released before.

At the head of the album is the track “Love Me Like”, which Kevin described as a “moombahton-based rhythm in the background with exotic beats and flute sounds intertwined with powerful choreography”. He went on to say that the lyrics speak of a strong affection for a lover. Kevin added that the group chose the rhythms and melodies of Latin music to deliver their version of “love”.

Sebin said the group decided to go male this time around with the ambition to show that Omega X is a band with powerful energy. “As you can see from our outfits, some people are shirtless to show our masculinity. The weather is cold outside, but I hope our performance could heat up people’s days like a hotteok, ”he added, referring to the Korean winter’s staple of a hot pancake filled. of brown sugar.

When asked about their title track, Junghoon said the song could be translated as wanting your lover to love you back. The 21-year-old also expressed high hopes that fans and music listeners can experience different types of love through “Love Me Like”.

Although Omega X set its sights on the ring last June with the release of “Vamos,” the group said they tried to take a leap of faith in bringing their studio sounds to the masses to show off their diverse musical personalities. in the secondary tracks.

This time around, several band members went through the entire process as “self-producers”, listing themselves as songwriters and lyricists.

(Arrow entertainment)

(Arrow entertainment)

Jaehan, Hangeyom and Yechan started their musical journey by creating the melody and writing the lyrics for “Liar”. The album also includes “Please,” produced by Hangyeom.

Speaking of “Liar”, Yechan said it’s a piece of music about saving and protecting your lover and it’s the first song he wrote with his band mates. Most importantly, the songwriter said he was able to learn his voice and the voices of the other members in depth in terms of suitability.

“I think I will be able to come up with songs that suit our voices and harmonize our voices, even more, better in the future,” Yechan added.

Jaehan shared an episode of how Hangeyom’s “Please” came to life with a question. “We were eating in our dormitory and Hangyeom came to us at random and asked us what we thought of the term ‘call me’,” he said. Xen intervened, describing Hangeyom as a “genius”. He went on to say that Hangyeom is good at songwriting and lyrics writing.

Hangeyom said fans inspired him to create the song. “We can’t really meet our fans in person because of the pandemic, so I just wanted to get the message across that I want to call our fans to see them,” he added.

At the end of the press conference, Hangyeom expressed high hopes of performing well on the music charts and landing a rookie award at upcoming awards ceremonies.

“Since some of our band mates were involved in creating the secondary tracks for our album, I hope all of our tracks will be enjoyed by fans and listeners alike. Hopefully we can hear that Omega X is a band that has some well done B sides on their album, ”he said.

Hangyeom added that he hopes to make 2022 their year by reaching out to audiences with their music.

The group also said they would like to go global, hosting world tours where they can meet international fans.

The five-song package will be released at 6 p.m. on Wednesday.

By Park Jun-hee (

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‘Just One More Morning’ Sharon Marley tribute to her mother | Entertainment Mon, 03 Jan 2022 05:07:48 +0000

When Sharon Marley dated Just one more morning, it was the first time that fans saw her in real vocal mode since the days of Melody Makers. Obviously, it had to be something very important for her to take the time to make her debut as a solo artist and walk the nine meters, with an accompanying music video.

The synopsis on YouTube reads: “The official music video for Just one more morning performed by Sharon Marley in honor of Rita Marley’s 75th Earthstrong this year.

That pretty much sums it up. But there are so many layers in this love song that was written by Ricky Walters and is on his mom’s classic album, We must continue. The video tribute opens with a fabulous Rita Marley gently placing the needle on a vinyl record to get the music playing. Sharon is the singer, but it’s Rita who permeates the video, which is performed by her granddaughter, Donisha, Sharon’s firstborn. This is actually Rita Marley’s first music video in 20 years. Visually and artistically, it hits the mark.

Sharon Marley is proud that “four generations of Marleys” were involved in the project and noted that many pieces came from her mother’s wardrobe. “Mum gets involved in a lot of things. She loves her garden, she loves to travel and she was in the studio when I was performing the song. Mom was showing me the movements when I was doing the video, ”she said lovingly.

Sharon is the ultimate mom’s daughter, no apologies. During his conversation with The gleaner, his love for Rita Marley was that intangible presence that floated everywhere. she describes Just one more morning like “a deep and personal song” and that she was determined to make, even if the idea of ​​trying to reproduce Rita’s magnificent falsetto style “was frightening”.

“This song is made in mom’s falsetto and I have a low scale. I spoke to Grub [Cooper] and told him I was concerned about the key, and he sent it back to my key and Soul (his nephew) remixed it. It’s a tribute to mom and I did it the best I could, ”Sharon said simply.


It wasn’t difficult for Sharon to use her voice in tribute as she didn’t let it go to dust.

“I sing in the shower all the time. Singing comes naturally to me. All of us who are part of this project, music is our life. It brought back my love for music, and the producers now send me songs, ”she said with a laugh, admitting that although she is at“ a different stage than [her] life “, she is” open “to exploring her options musically.

His musical journey on stage was cemented with Grammy-winning sibling group Ziggy Marley and the Melody Makers. “Being on the road with my brothers and my sister… I couldn’t have asked for better. The first time I went on stage, I cried. I was 15 and the little ones were all looking at me like, “Why is she crying?” I was in Canada when the Melody Makers started and came home after Bob passed away, ”she explained.

Once she became a Melody Maker, they went back to the studio and added her vocals to the song. Children playing in the street. and Sharon recalled with a laugh that during the tour, with Rita as “mom”, “No one could touch Rita’s children”. And, like Rita, Sharon Marley is now just as fiercely protective of her mother. Rita is her hero, and she thinks her mother deserves national hero status just as much as “Brother Bob,” as her daughter Donisha pointed out, is how Rita refers to him.

“I’m not trying to create a dilemma as to who is a national hero. The question was asked [in an interview] and I answered. No disrespect to any order. Mom’s contribution isn’t just in Jamaica, it’s around the world. She is queen mother of an African village; she created a home for the aged in St Mary’s, she created the Rita Marley Foundation and much more. She does everything with the heart. She could have quit and gone into hiding when Bob died, but she kept going and kept up with the pace that Bob had started. She didn’t stop. Just looking at her tells you you have to keep going, ”said Sharon Marley, now a grandmother of four.

She spoke passionately about Trench Town, where her parents lived when she, Ziggy and Cedella were born.

“We want to open a Rita Marley Girls Center in Trench Town because that’s where we’re from. This little girl from Trench Town, who they called ‘Blackie Tutus’ and said nothing good would come from, inspired so many people. They want to dress like Rita, sing like her, be like Rita. She and Brother Bob went there to conquer Babylon and expand the Rastafarian mission, and she still does. When my parents were shot, a police car came to our house and we were rushed in the back of the car to Strawberry Hill. They were hiding us. And two days later my mother played [at the Smile Jamaica Concert] with a bullet in the head. It’s the kind of commitment that comes once in a lifetime, ”concluded a satisfied Sharon Marley.

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The band “WhoGrass” playing Fairfield explains the style of music; will perform on January 8 Sat, 01 Jan 2022 09:03:16 +0000

Jim Rea: It’s been 13 years now and we have the same five guys – My cousin, Gary Rea (upright, acoustic bass); Mark Cassidy (banjo); Chad Graves (dobro / steel guitar); Nolan Lawrence (mandolin) and myself (guitar.) All band members sing along. We’ve also taken a big leap of faith heading into 2022, and we’ve added a full-time drummer. We’ve been playing with him for the last few months, testing him, to see how he feels and how people react to him, and we love him so much. It’s breathed new life into it, new kinds of songs are coming out, and we’re looking for rock, funk and stuff like that. So we added a sixth member and his name is John Anderson.

Q: Tell us about your style of music.

A: We rely heavily on bluegrass with a double bass, banjo, mandolin, acoustic guitar, and dobro, which is the slide guitar that you play on your lap. So we play bluegrass, and we focus on bluegrass festivals and writing bluegrass music. We wanted our bluegrass sound to have a progressive new side, but we are still firmly established in bluegrass. As we started playing more, a little bit of country crept in, but we’ve been mostly a bluegrass band, and kind of a wild card, if you will, as far as that style goes. Then we got into tribute acts and things like that, which we continue to do to this day, but we’re firmly rooted in bluegrass when it comes to our style. And now that we have a drummer, we’re going into country, into rock, into funk, and we’re exploring different genres.

Q: Is WhoGrass based on the music of The Who?

A: Absoutely. In 2015, we were approached by a gentleman named Louis Meyers, one of the co-founders of SXSW, and he was the director of Folk Alliance, which is another music organization. We met him, and he always poked his head around the corner in our windows, and he told us in 2015 that he was looking for a band to arrange and record The Who’s famous rock opera, “Tommy” in as bluegrass opera… So we did it, and we toured all over the world, coast to coast, here in America, Australia, UK and all the way to Canada. It worked well for us for four or five years. Then we turned that show into WhoGrass. Instead of just making the “Tommy” album, we took all The Who hits from all of their records. We put them in chronological order, and we tell the story throughout The Who’s career, and now we’re playing a much more successful, accessible, choir-type show where all the songs were. among the top ten singles, if not number one hits of The Who. So, yeah, it has to do with The Who, and it’s based on The Who, done on bluegrass instruments. WhoGrass is just a smart name we give it. Bluegrass meets rock and roll is the motto of the show, and it’s a spin off of “Tommy” that we did in 2015. It’s The Who music that meets bluegrass sound or instrumentation.

Q: You’ve met Pete Townshend a few times and opened for The Who. What did he think of The HillBenders version of “Tommy?”

A: They got wind of our “Tommy” project and Pete Townshend, band frontman and lead songwriter contacted us and said, “We love him.”

Q: What are some of the ways you make The Who music your own?

A: … Our dobro player, we call him Keith Moon of the dobro, because he’s so punchy on his instrument. He hammers the thing and spins it around. He has that intensity. We all try to make the music as percussive and as big as possible because The Who is a giant rock icon. We naturally have a part of that, and I think that’s why Louis chose us, but we know that in these beautiful, big rooms, we have to make sure and really accentuate that. So we open ourselves up to be as big as possible. We use two, three or four part harmonies on the songs. We involve the crowd, so they sing and clap to some parts, making sure that we can fill the space as much as possible. We travel a lot and love to interact with the public. So that’s the kind of thing we do to make these WhoGrass shows as special, big, and enjoyable as possible, and entertaining is the main thing.

Q: Regarding the original music of the band, what did you work on?

A: Last week we just released a new single, “Every Time I Go Away” with drums on it. We definitely got out of bluegrass, more acoustic rock with this song. We are proud of it. It’s everywhere on our social networks, on Spotify and Apple Music. There is also a great video with it. We were founded on the original music and that is what we will continue to do. The blanket was just a stepping stone for us. With every show we do, we try to give the audience four, five, or six original songs at the end of the show. In this way, we integrate the original music into the show and we continue to share our creativity with the audience.

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The Tupelo Community Theater sets the stage for “Deathtrap”, “Sherk the Musical” – The Oxford Eagle Thu, 30 Dec 2021 22:10:11 +0000

The Tupelo Community Theater is delighted to announce its production of the mysterious murder “Deathtrap” on January 27 at 7:30 pm and January 29 at 2:00 pm at the Lyric Theater located at 201 N Broadway in downtown Tupelo.

Comfortably settled in his charming Connecticut home, Sidney Bruhl, a successful Broadway thriller writer, struggles through a period of crisis that has resulted in a series of failures and a lack of funds.

A possible break in his fortunes occurs when he receives a script from a seminary student he leads at a nearby university – a thriller Sidney immediately recognizes as potential Broadway success. Sidney’s plan, devised with the help of his wife, is to collaborate with the student for a co-credit. Where is it?

DEATHTRAP delivers devilishly ingenious twists and sudden, hilarious shocks in such abundance that audiences will be mesmerized until the very last moment.

Members of the Wild Card season can claim tickets starting January 4, and tickets go on sale to the public on Monday, January 17. Tickets are $ 20 for adults and $ 10 for students and younger ones. To reserve your seats for the show, call the TCT office at 662-844-1935, which is open Monday through Friday, 9 a.m. to 3 p.m.

In more news, the Tupelo Community Theater will be hosting auditions for Shrek the Musical, based on the DreamWorks animated film, William Steig’s book, music by Jeanine Tesori, and David Lindsay-Abaire’s music book and lyrics.

Adults 18 and over will audition on Sunday February 13 at 2 p.m. and Tuesday February 15 at 6 p.m. at the St James Catholic Church Family Life Center, 1911 N Gloster Street in Tupelo. The youth and children’s auditions will be held at the Tupelo Community Theater, 201 N Broadway, on Wednesday, February 16 at 6 p.m. No prior preparation is necessary, but everyone should be ready to sing and read the script.

Everyone’s Favorite Ogre ends the TCT season with this hilarious stage version of the musical based on the Oscar-winning blockbuster movie. “Once upon a time there was a little ogre named Shrek.” And so begins the story of an unlikely hero who finds himself on a life-changing journey alongside a sarcastic donkey and a fiery princess who resists his rescue. Add in an angry villain, a cookie with an attitude, and over a dozen other fairytale misfits, and you’ve got the kind of mess that calls for a true hero. Luckily there is one on hand … and his name is Shrek. Irreverently fun for the whole family, Shrek proves that beauty really is in the eye of the ogre.

The cast consists primarily of adults eighteen and over, with 3-4 minor roles for children 8-14. Dancers and ensembles aged 15 to 17 will be selected as needed. The play will be directed by Christi Houin and the production dates are April 28-30, 2022. For more information, email or call the TCT office at 662-844-1935.

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“Joy to the World” by Damien Sneed sparkles in the Zellerbach room Wed, 29 Dec 2021 05:20:38 +0000

Christmas has become so deeply connected with his music that any version of well-worn classics can be controversial. However, it’s the best variations in tone, key, and rhythm that make old songs great. Jazz musician Damien Sneed enshrined his name in the canon of Christmas carols on his December 3 show “Joy to the World: A Christmas Musical Journey,” a fiery blend of established tradition emboldened by a fresh soul.

After the large ensemble of musicians took the stage once the lights went out, Sneed took to the stage with the wind under his wings, allowing a confident air to fill the hall. Just by the pace of his footsteps, it was immediately obvious that this was not an amateur hour. From the first note of “Children Go Where I Send You” – a traditional black gospel song remastered as a walking escapade – the expectation of great expertise has been satisfied and exceeded.

Sneed may have his name on the posters, but he’s made no attempt to keep the limelight for himself. By blood or not, the night was a family affair with an indisputable bond between every musician and Sneed. Dotted with screams at his birth family sitting among the audience, the evening was interwoven with brief stories about Sneed’s connection to everyone who played with him. With a boyish smile only possible from a big brother, Sneed lovingly teased singer Markita Knight as he pushed her higher and higher in the stratosphere. Fortunately for the spectators, his malice was justified by the apparent ease and vitality of his higher notes.

The public were also welcomed into Sneed’s extended family with open arms. He encouraged the audience to follow the beat of their drums, dance and sing if their hearts wanted in the warm introduction to Alicia Peters-Jordan’s rendition of “Holy Is the Lamb” by Olita Adam. Animated by Peters-Jordan’s timbre delicately balancing between daring and tender, the audience rose to their voices and tight harmonies. The warm and relaxed atmosphere lasted through the night, with dance breaks filled by the swaying of the phone’s flashlights.

Backed by the confidence only found in classically trained jazz musicians, the musical improvisation of the cast was not only encouraged, but deeply ingrained in the structure of the show. “I don’t know what I’m going to sing tonight,” Sneed revealed midway through one of his introductions. “So I can just throw something at you all. ”

Slots have been allocated throughout the programming for the improvisation of lyrical, instrumental or scat vocals. At the end of an eight-minute performance of “Go Tell It on the Mountain,” Sneed improvised a comically extended run, stopping briefly to lull the audience into a false sense of security. If it had been anyone other than Sneed, it would have seemed odious; yet, paired with the worshiping rolled eyes of the other musicians, it was impossible to be anything but charmed.

In addition to Linny Smith’s effervescent take on Donny Hathaway’s “This Christmas” technical challenge, “Joy to the World” was filled to the brim with songs written and performed by black artists. The night was not only a celebration of the holidays, but also a celebration of black culture.

Above the talents of pianist Alfred Rutherford, Sneed sang the encore for each of his singers and musicians, then ran into the audience to pass the mic to a cousin he spotted for a brief musical run or two. Eventually he walked out the front doors and the band played the audience.

Time warped in Zellerbach Hall as Damien Sneed took hold of it. Thanks to Sneed’s musicality and showmanship, the audience was transported back and forth back to the times, or held into the present as a 25-minute performance of a “Joy to the World”. Flew in a happy blur. With his electric personality and a plethora of deeply talented friends, Sneed has brought new light to the holiday season.

Contact Afton Okwu at [email protected].

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